Essay Tips

• don't use first person; i, we, me, my, our
• numbers up to 10 you write out, after that use the figure
• be consistent
• no abbreviations
• be precise

academic writing:

• impersonal
• concise
• clear
• precise
• cautious
• politically correct
• formal
• transparent

AfterEffects: The Hand

In today's workshop we were looking at how to animate a hand drawn image. To do this we had to bring with us to the workshop 3 identical line drawings traced on top of each other, so we had three versions of the same image scanned in to work with.
We were shown an example piece in the workshop:

Forest: Just One Day from Johnny Kelly on Vimeo.

For my piece, i decided to draw a tree, i traced my drawing so i had three versions of the same image, this is so when you animate it it flows nicely. During the workshop i found my tree was really difficult to animate in a hand drawn way as it is really detailed and not drawn from one single line however i tried my best to achieve the same look. I used a tool to make the trunk appear like it was being drawn and then i used a slightly different effect to make the branches look like they were growing off the tree. To improve this i decided to redraw my tree in a simpler way and start again, doing the same thing but making it look better, also adding text.

The Hand - tree from Jennie Chinn on Vimeo.


Simple Tree from Jennie Chinn on Vimeo.

CV

name and contact details

• address, phone (mobile), email (uni and personal), webpage (portfolio)
• age, dob, status (if single put this on, if not then don't)

education

(most recent first)

• university of huddersfield: course, from to (date of expected graduation) 
• sixth form etc
• skills, computer literacy (competent in Indesign etc)
• full uk driving license
• grades irrelevant (11 gcse's including maths and english)

work experience

(most recent first)

• date, organisation, job
• competitions?

hobbies and interests

• keep it brief!
• don't say you like socialising
• its just to show you have a life

referees

• name
• company
• position
• address
• telephone
• email
• work reference, academic reference, maximum of 3

focus your cv, must appear as if your covering letter/cv have been written specifically for that company 

can be two pages but don't make it double sided

Keywords and Literature

'Banksy; His influences and impact on contemporary graphic design'

Keywords:

• Banksy
• Graphic Design
• Street art
• Contemporary
• Influence

Important References:

• Exit Through the Gift Shop (film)
• https://www.ribar.com/UserFiles/2m-2015.pdf
• http://onlinelibrary.wiley.com.libaccess.hud.ac.uk/doi/10.1002/ad.1301/epdf

'But discussing street art along with mainstream art, architecture and urban planning will inevitably lead to the departure of the professionals and the middle class. It remains very much beyond the pale,

like a tattoo, a sign of being unspeakable. Infringing on the body of the city it contains an implicit critique of location. Graffiti is still about marking territory and rejecting the power implications of the built environment. Because of this we have no serious interpretation of this radicalising art form. It is like the argument between calling someone a freedom fighter or a terrorist; there is symmetry but no common ground or willingness to talk. Graffiti manifests the emergence of another taste culture, one well below the five that the urban sociologist Herbert Gans distinguishes'

• Branscome, E. (2011). The true counterfeits of banksy. Architectural Design, 81(5), 114-121.
• 
  
• Preece, C. (2012). Media review: A banksy film. exit through the gift shop. Los Angeles, CA: SAGE Publications. doi:10.1177/0276146712449741

• Banet-Weiser, S. (2011). CONVERGENCE ON THE STREET: Rethinking the authentic/commercial binary. Cultural Studies, 25(4-5), 641. doi:10.1080/09502386.2011.600553

mainstream art, architecture and urban

planning will inevitably lead to the departure

of the professionals and the middle class.

It remains very much beyond the pale,

like a tattoo, a sign of being unspeakable.

Infringing on the body of the city it

contains an implicit critique of location.

Graffiti is still about marking territory and

rejecting the power implications of the built

environment. Because of this we have no

serious interpretation of this radicalising art

form. It is like the argument between calling

someone a freedom fighter or a terrorist;

there is symmetry but no common ground

or willingness to talk. Graffiti manifests the

emergence of another taste culture, one well

below the five that the urban sociologist

Herbert Gans distinguishes

mainstream art, architecture and urban

planning will inevitably lead to the departure

of the professionals and the middle class.

It remains very much beyond the pale,

like a tattoo, a sign of being unspeakable.

Infringing on the body of the city it

contains an implicit critique of location.

Graffiti is still about marking territory and

rejecting the power implications of the built

environment. Because of this we have no

serious interpretation of this radicalising art

form. It is like the argument between calling

someone a freedom fighter or a terrorist;

there is symmetry but no common ground

or willingness to talk. Graffiti manifests the

emergence of another taste culture, one well

below the five that the urban sociologist

Herbert Gans distinguishesBut discussing street art along with

mainstream art, architecture and urban

planning will inevitably lead to the departure

of the professionals and the middle class.

It remains very much beyond the pale,

like a tattoo, a sign of being unspeakable.

Infringing on the body of the city it

contains an implicit critique of location.

Graffiti is still about marking territory and

rejecting the power implications of the built

environment. Because of this we have no

serious interpretation of this radicalising art

form. It is like the argument between calling

someone a freedom fighter or a terrorist;

there is symmetry but no common ground

or willingness to talk. Graffiti manifests the

emergence of another taste culture, one well

below the five that the urban sociologist

Herbert Gans distinguishes